Todo Está Bien

A collection of texts inspired by surveillance camera footage, short stories, poems, and journal entries that reflect on the act of looking, being looked at, and what unfolds in between. The publication includes an envelope of frame-stickers: stills pulled from the footage, waiting to be placed, rearranged, interpreted. The connections are not fixed, there are relationships between text and image, but the reader is invited to find their own path through them. What comes first: the image or the text?

This project is currently evolving into a full-length manuscript, where the protagonist begins to shift and transform through her relationship to the images. Her viewing becomes a mirror, a threshold, a slow unraveling. The gaze is no longer passive, it shapes her, even as she tries to make sense of what she sees.